Sunday, September 26, 2010

Brothers in arms

I was a cell that split and tumbled and mimicked itself over and over until I had decided what I really wanted to be. Some cells become a tree, a blade of grass, an eye or elegant, piano-playing fingertips.

It was during this split that my brother came to be a part of my life. We grew side by side – developing a bond that could never be broken. When I fell, he was left alone, but I watched from the outside, knowing that he would need me. I didn't want to leave, so I didn't.

He was born early, soon after my father's fist slammed into my mother's chest and forced her to the ground, a pleading, messy pulp of a human. Her head flew back towards the wall and smacked against the plasterboard. My father cursed the hole he would now have to fix, and my mother found herself sitting in a pool of amniotic fluid that had forged a path across her thighs.

This is the introduction to the next piece in the series, first started with 'Patient X'. This time the narrator is the soul of the child who did not make it through the pregnancy, and so watched his brother grow – continuing the bond from the outside.

Thursday, September 23, 2010

WIP – Tween fantasy fiction

I began working on this in 1994, and have abandoned it a number of times. I have my criticisms, but won't share them here – I don't want to taint anyone's perception. However, if the same sort of feedback comes up here, I know it is not me being paranoid about the writing. On the other hand, I could be suffering from having read the piece over and over again, and reworked infinite times over the past decade and a half, that it's getting hard to see what's working and what's not. So I open it up to you for feedback … critique away.

Working Title: Diabolous
Current word count: 10, 053 words
Intention: Colour picture story book, between 30, 000 and 40, 000 words.

THE JOURNEY

Unknowing of my destiny,
I fly to places concealed.
Eerily ever-present,
The tenderness all around.
Within my soul rests a beauty
So deep – so exquisite in every way.
I know that it will surface
And all will be revealed.
Through a journey, I am guided.
By a voice from afar.
Ardent nearness,
Serene in touch,
Reverie so pure.
Please do not wake me
It is all that I hold dear.

"Close your eyes Elia. Feel yourself being drawn to the edge of this world." Jonathan kept whispering the instructions over and over into her ears.

"Goodbye brother." Elia replied as she looked into his wise eyes for the last time.

"I will be with you always," he reminded her, "try not to fear the journey and remember that you will be home soon." Elia felt her body become much heavier than it had ever felt before. It had become so heavy that it was almost a hindrance. The classes given by her brother and teacher now played a significant part in the ritual as she let her body become heavier and heavier; so much so that her true self finally lifted up and out of the cumbersome flesh. Jonathan looked to the women in the room and more specifically to Sophie.

"I will join her now. The Diabolous have become too menacing a threat not to be ignored. She doesn't yet have the strength to survive the journey without me. We have lost too many friends to their ways already." His last comment was almost a whisper as he thought of his dear friend Connor, the first taken, lost twelve years ago to the vengeful and predatory beings. Sophie too, was well aware of how powerful the immortal beings had become. Connor had been one of the most influential teachers in the realm, but was lost when he traveled to the forbidden side of the land looking for Amethyst crystal spoken about in the Ancient Scrolls. He intended to use it to make an especially strong orb. One that would help him to understand so much more about the world he lived in. His search led him to a deep underground cave, so dark that his lantern barely lit up the steps before him. His journey ended as he used his small pick to dislodge some of the Amethyst at base of the cave. It was this movement that made the wraith like beings aware of his presence and, as he was unaware of theirs, they could watch for as long as they liked. These creatures used their own evil senses to determine Connor's one weakness, his endless quest for knowledge and his determination to do anything to gain it; hence his search for the Amethyst in these forbidden lands.

The Diabolous watched as Connor fashioned the Amethyst into the orb he craved and as he searched deep within the crystal, the dark souls devoured his mind, taking away his happiness, making him unable to rely on his intuition. He had become a recluse, locking himself in his room for hours on end, gazing into the orb until he was no longer the Connor that had been a dear friend to Jonathan. It was only chance that Jonathan had stumbled on Connor's fate. But by then the Diabolous were now infinitely stronger with Connor's life force and knowledge. All Jonathan could do was banish the vile beings from the realm; too late for his friend however, whose soul had already been taken, leaving behind a man who was so filled with despair that no ritual could help him. His anguish filled his whole existence so much so that he now lived in a tomb like room on the edge of death. He did not speak, did not eat and would not move. Yet he would never die, because the realm did not know death like the Earthly one and as long as there was a small amount of soul left he would not die. Jonathan was loathe to let him pass, as that meant letting the Diabolous back into the province to consume what was left of the man. Connor was sentenced to spend eternity in his last resting place, neither alive nor dead and always fearing the return of the callous and manipulative beings. Since him there had been others, but none so devastating for Jonathan. The Diabolous, banished from their original domain moved to the Earthly world where it was much easier to move through the existence of others. It was in this world that many other friends had been lost. While most had made similar mistakes to Connor, there were a few too vulnerable to have the strength to withstand the danger they feared, and it was these people that the Diabolous now craved. There was only one way their mangled and gnarled hands could reach these victims, and that was in the journey between worlds. The young souls were weak from the journey, hence Jonathan's reason to join his sister on her crossing.

"Be careful," Sophie implored as Jonathan joined his hands with his sister's and let himself slowly join her in her dream like state. Jonathan took a few deep breaths. Practise allowed him to quickly move through the stages needed to separate his soul from his physical body. Soon enough he was with his beloved sister.

"Sister, are you ready to leave?" Jonathan looked towards Elia and took her hand in his. They both turned towards the bed and Elia was clearly shocked at the sight of her empty body draped across the satin.

"It will be safe?" she questioned. "You're sure that nothing can come in here to disturb my journey?" Elia was beginning to show some of the fear that she felt.

"Do not be afraid," her brother responded. "You do not have Connor's fate. There are many who will protect you throughout this phase of your life. I will guide you through your journey and soon you will have the strength to look after yourself. Now let's leave, it is getting late." Elia took one last look at the room that held her body. Her eyes were closed and her dark hair had fallen loosely around her shoulders to her waist. This was in stark contrast to the white gown worn by the sleeping figure. Beside her limp body was Jonathan's sleeping stature. He was sitting on the chair beside the bed, his head leaning on the arm draped across the bed. This arm had reached across to Elia's body and held her hand. Against the wall were a multitude of small burning candles, flickering and dancing light up the sandy-coloured bricks. The candles were the only source of light in the room as all others would have been too harsh for the ritual, but it was not dark in the room. The room would stay like this for the whole of her absence, with the exception of Jonathan's body. He would leave her as soon as he had returned from safely seeing her initial journey through. It would be up to the women in the room to tend her body over the years. One day it would be her turn to be a part of this ritual, but not before she had completed the journey herself. Jonathan squeezed Elia's hand, reminding her that they must be leaving. She could now see a doorway towards the back of the room, one that had not been there before.

"It can only be seen with the mind's eye," Jonathan explained when she asked about it. "You are not taking your body on this journey so it is not a physical doorway that we need to have opened for us. It leads to a hallway and eventually to the doorway that opens up to the Earthly realm. It will be there that I leave you." Elia was not afraid anymore. Her brother had taught her well. She knew that soon she would begin to think like those who live in the Earth realm. All she had learnt would remain with her, but be much harder to find. There were other lessons that she was to learn in this stage of her life. It was a troublesome time for all who undertook the journey and she had heard of many who had faltered in the destined path. It was a hard path too, because you were never allowed to know much about the journey before leaving. Already she could not smell anything from the room she had left. The women who would tend her body over the years had become a distant memory. She could not see Jonathan anymore; only sense his continued presence urging her forwards. Finally they reached a doorway at the end of the corridor. The corridor's white walls paled in comparison to the scene beyond the doorway. The wood of the doorway framed the vision; clear blue waves falling over themselves as they crashed towards the shoreline. The sand reflected the intensity of the sun resting high above the horizon and beside the cliff face stood a lone figure. Elia's future mother.

"This is where we part dear sister. It is your journey now. Be strong and do not forget your home or what I have taught you in the short time we have been together. Walk towards her, she is alone and with child. You will start to forget as you walk towards her because an earthly child has little memory or understanding in this world. It is part of what you have to gain. Do not be afraid when you feel the overwhelming pull from the growing body. It is your body for this world and your soul will move to it like a magnet." Jonathan stopped and turned towards Elia, gave her one last embrace and then turned and walked away. She was alone. All at once she found herself moving across the sands towards her mother. Elia turned and watched the waves thunder in towards the land and beach themselves like a whale. As she drew near the woman she grew more apprehensive.

"Is it too late to turn back?" Elia asked out loud then chastised herself straight away. It needs to be done, I cannot turn back. Knowing this Elia pressed on. She could feel the sting of the fresh salty air as it passed through her. The breeze caused the woman to turn towards her and Elia gasped.

"Sybella." It was Sophie's sister. Jonathan had chosen wisely. Sybella was sure to teach Elia all that she needed to learn. She was lucky that her mother had been chosen from her own world. She will understand our ways and will remind me, Elia smiled. Already she could feel the pull from the human form inside Sybella's womb. Elia let herself be drawn in, secure in the thought that the woman would be a good mother and that this journey would not be a dangerous one. Elia could only vaguely remember being a part of another world. A world where she was grown and she could talk to those who were around her. Forgetfulness washed over her as she passed into the human form and she curled into a deep sleep.

Flinders Street Station means so many things.

Every Saturday, for almost two years, I met someone at Flinders Street Station in Melbourne. He was my boyfriend, and we lived on opposing train lines, so met in the city so that we could see each other. The city was, and still is, a vast expanse of humanity; people bustling to and fro, eager to get to their destinations. His train always arrived after mine did, and so I would spend the time people watching.

I like this analogy, one of meeting someone under the clocks and while waiting, watching the people and the world pass you by.

There is always a promise to meet under the clocks, a place where the order and direction reminds us of our eternal obligation to the world. The hands pointing out routes not yet taken - an invitation to face the world, a reminder of the place we have with those who are the same.

I start with the physical, and use it to represent the figurative. Time is also a great symbol, one of hope, dreams and possible change – or none at all.

I'm supposed to find you under the clocks. Instead I meet myself, and greet this ghost with a smile.

I see that the ordered measure of time has lost all meaning. Many sit with me under these clocks, but we are not together. We are not one in humanity, we are alone amongst ourselves. The ticking clocks above us taunt the city with a promise of constancy. The only constant force is the innate disappointment each of us feels with the world.

Is it my job to fix this?

What do you think?

I think it's your job, not mine.

With time to think, it's easy to start to wonder about where I fit in the world, where others fit and why it is that we are so 'hell-bent' on making sure we don't have to 'engage' with anyone else. The irony being, that this too makes us all so sad.

The ghost turns and shows me a country that is not a land of isolation, but a people who stand in a crowded place and find themselves drowning from the inside. The sandbags have been stacked and the flood will not be allowed out.

Australia is a large expanse. There is so much land, that we often see it as a land of isolation. The cities are different – physically, but emotionally they can be just as silent. The things we talk about, the things we fear are not emotional, but physical. Drought, floods, fire. But these too, can be used to describe how we really feel about our lives, how we really feel about each other.

There, under the clocks, more water creeps up the steps and takes the people prisoner. Some have water up to their necks, and patiently wait to drown. Others are wading towards me, reaching out, asking for help.

I do what I think is right. I turn my head away from them and close my eyes.

And so we ask, what is our role in life? And I use the flood as an emotional onslaught on loneliness.

The ghost points to me. I persecute myself. I wait at the clocks and stare at my feet, imprisoned by my freedom to ignore the plight of others.

What does sadness, fear, exile look like – would you reach out to someone in need?

I am free from the expectations of society, but imprisoned by my own.

The ghost pushes me into the deep.

I try to ignore the world, mostly because the world says that I can. But I have a conscience, one that asks me what impacts I intend to make on the world, and because it asks me this, I find myself imprisoned by the rules I have made for myself.

We listen, the ghost and I. Some talk of a great love for this sunburnt country and speak of the land and the rain that teases those who need it.

The ghost talks of the drought that has hardened its people - when we turn to others for help we find a dry and barren kinship that has become scratched and gravelled over time.

Amongst the people there is a flood. But nothing can break the drought. The soil is too battle weary to allow amends. Their fears are unabating; discontented abuse reigns over the people.

The drought is a drought of emotional connection, and so the people of Australia become emotionally hardened. The flood, is a cursed onslaught of sadness, and this emotion cannot give the people a connection.

The ghost points to those whose blinkered eyes cannot focus on the shelter they had from the storm, and to those who continue to question whose responsibility it will be to stop the drought.

There is plenty of water, there should be no drought.

It's like saying that there are plenty of people, you should have some friends. And our subconscious reminds us that it's not good enough to have everything that you need; sometime it is important to make sure that others are not hurt by your inability to empathise.

These people sit, justifying their choices with lists of rules and regulations. It is an interesting freedom; one that allows people to wallow in sadness and forgets to remind others that they can see the peril others face.

I realise that my parched throat is choking on the isolation that has gathered in the air.

Under the clocks - I stood, waiting for you.

Instead, I find myself, and didn't know what I was doing there.

Empathy comes at a price.

Sunday, September 19, 2010

Saturday afternoon under the clocks







There is always a promise to meet under the clocks, a place where the order and direction reminds us of our eternal obligation to the world. The hands pointing out routes not yet taken - an invitation to face the world, a reminder of the place we have with those who are the same.


I'm supposed to find you under the clocks. Instead I meet myself, and greet this ghost with a smile.


I see that the ordered measure of time has lost all meaning. Many sit with me under these clocks, but we are not together. We are not one in humanity, we are alone amongst ourselves. The ticking clocks above us taunt the city with a promise of constancy. The only constant force is the innate disappointment each of us feels with the world.


Is it my job to fix this?


What do you think?


I think it's your job, not mine.


The ghost turns and shows me a country that is not a land of isolation, but a people who stand in a crowded place and find themselves drowning from the inside. The sandbags have been stacked and the flood will not be allowed out.


There, under the clocks, more water creeps up the steps and takes the people prisoner. Some have water up to their necks, and patiently wait to drown. Others are wading towards me, reaching out, asking for help.


I do what I think is right. I turn my head away from them and close my eyes.


The ghost points to me. I persecute myself. I wait at the clocks and stare at my feet, imprisoned by my freedom to ignore the plight of others.


What does sadness, fear, exile look like – would you reach out to someone in need?


I am free from the expectations of society, but imprisoned by my own.


The ghost pushes me into the deep.


We listen, the ghost and I. Some talk of a great love for this sunburnt country and speak of the land and the rain that teases those who need it.


The ghost talks of the drought that has hardened its people - when we turn to others for help we find a dry and barren kinship that has become scratched and gravelled over time.


Amongst the people there is a flood. But nothing can break the drought. The soil is too battle weary to allow amends. Their fears are unabating; discontented abuse reigns over the people.


The ghost points to those whose blinkered eyes cannot focus on the shelter they had from the storm, and to those who continue to question whose responsibility it will be to stop the drought.


There is plenty of water, there should be no drought.


These people sit, justifying their choices with lists of rules and regulations. It is an interesting freedom; one that allows people to wallow in sadness and forgets to remind others that they can see the peril others face.


I realise that my parched throat is choking on the isolation that has gathered in the air.


Under the clocks - I stood, waiting for you.


Instead, I find myself, and didn't know what I was doing there.

Friday, September 17, 2010

I'm a little sickie, short and stout ...

Sorry for the MIA status for the last week and a bit. I had a severe allergic reaction to Wattle ( a reminder that Australia has some dangerous stuff), a usually innocuous national flower - unless of course, you are allergic to it like I am. The pollen infiltrated (there is no other way to describe it) my lungs, got infected and lo and behold, I am struck down with pneumonia. This,of course, made the asthma that has not bugged me for decades rear its ugly head.

I am getting back on track, thankfully, and am busy trying to finish my next piece. I hope none of you thought I was being rude, I was just totally incapacitated.

Thursday, September 9, 2010

Food for thought

Polly and Me.

If you're in Australia and get ABC1 watch it and continue the effort to break the cycle.

Monday, September 6, 2010

Inside you there is strength.


Shaun Tan's The Red Tree is one of those amazing children's books that transcends all age and generational barriers to speak to the world. Some say that it speaks of hope in a cruel world, others find it full of existential angst; yet most, if not all who find it, feel compelled to own it.

When I first found it tucked high on a shelf at the back of a bookstore, I knew I had to have it. The cover caught me, in fact it grabbed me by the chest and clung on until it had convinced me that I needed this book in my home.

I had no children, so many people did not understand my obsession with children's books, but this book, like so many others spoke to me.

It told me that sometimes bad stuff happens to good people and no-one seems to notice.

It told me that even though I could be drowning in sorrow, there was always something there for me to grab on to.

It told me that buried deep within me was a spark of strength that had seen me through the almost intolerable pain I was forced to swallow, and bury, each and every day.

It told me that this strength was something so magical, something so wondrous, that I only had to wait and I would be free to enjoy it.

You need this book in your collection, there is no other comment that will do this justice. The illustrations in themselves speak volumes. Shaun Tan's insightful comments manage to remind us all of the often bleak way the world behaves. It is up to us to change the world; one red tree at a time.

Saturday, September 4, 2010

I love the way you lie?

I like Eminem, I really do. And I am sure this is 'just' poetic licence, but there is something bothering me about it. It bothers me tremendously that radio stations are giving this song air play, but no-one discusses the absolute truth about domestic violence (henceforth known as DV). It bothers me that people talk about how wonderful Rihanna and Megan Fox are in bringing people's attention to DV. It bothers me that only those not affected by DV are the first to talk about how wonderfully this song brings up the discussion.

The thing is though, all people are doing is discussing this song. Yes, it's catchy. Too catchy. So catchy in fact, that I am ashamed to find it stuck in my head.

And I guess if it's good enough for Rihanna to sing about ... well. Oh, and Rihanna and Megan so generously gave to DV foundations ... I should stop, I am going to sound cynical.

DV and romance only go together in music clips. The trouble is, when they are there together, and placed togther so well, people forget what DV actually is.

And like Eminem's work, mine now needs a language warning.

*SERIOUS language warning ...*

Domestic Violence isn't something you would actually want to experience.

Domestic Violence isn't romantic.

Domestic Violence isn't something we, as a society, are actually dealing with.

Domestic Violence IS:

A punch to the face in the middle of the night.

Someone you love calling you a stupid fucking cunt of a child, and you thinking that it means 'I love you'.

Watching a child being thrown across a room.

Hiding behind a shower curtain.

Wetting your pants while being belted.

Blood dripping down your head.

Wishing you were dead.

Being ripped out of your bed at 2.00 in the morning.

Never sleeping.

Being hit.

Being kicked.

Being belted until you bleed.

Being thrown.

Being broken.



I know a lot of people will not like this post. I know some people will say that in order to heal, one must move on. Others will find this a confronting, negative post, and will not return.

I am taking a risk.

I have moved on, to a point. One must NEVER forget. One is duty bound to ensure that it never happens again, and in that, I have an obligation to be honest. In this case, the truth hurts very much.

Eminem - I do not like the way you have lied.

Thursday, September 2, 2010

A person's a person, no matter how small- Dr. Suess

I cried, but you chose not to see.

I wept, but you chose not to hear.

I reached for your hand, but you waited for someone else to steady my fall.

Who am I?


 

I am the child who you ignored.

I am the child whose parents you prayed for.

I am the child who you thought deserved it.

I am the child whose parents you didn't want to upset.

I am the child who never understood why I was left there.

I am the child who cried herself to sleep.

I am the child whose job it was to console my siblings.

I am the child who was scared.

I am the child who listened to the names she was called and believed them.

I am the child who has a high pain threshold.

I am the adult whose heart is hurting, not from my childhood, but from listening to others justifying why they ignored a child in need.

I am the adult who wishes that someone bothered to hurt his feelings because maybe then everything would have been better.

I leave my shoes on the doorstep every night.

They are painful, and hurt my feet.

I do not ask that you walk a mile in my shoes; I only ask that you stop these shoes from being made.


 

Child abuse casts a shadow the length of a lifetime.

--Herbert Ward


There can be no keener revelation of a society's soul than the way in which it treats its children.

--Nelson Mandela, former president of South Africa 

I cannot think of any need in childhood as strong as the need for a father's protection.

-- Sigmund Freud

All those writers who write about their childhood! Gentle God, if I wrote about mine you wouldn't sit in the same room with me.

--Dorothy Parker

My childhood was a period of waiting for the moment when I could send everyone and everything connected with it to hell.

-- Igor Stravinsky

It is easier to build strong children than to repair broken men. 

--Frederick Douglass

The most important question in the world is, 'Why is the child crying?'

--Alice Walker

Safety and security don't just happen; they are the result of collective consensus and public investment. We owe our children, the most vulnerable citizens in our society, a life free of violence and fear.

-- Nelson Mandela, former president of South Africa 

The world is a dangerous place, not because of those who do evil, but because of those who look on and do nothing.

-- Albert Einstein, physicist 

There's more to doing good than hating evil.

-- Anonymous 


Failures are divided into two classes — those who thought and never did, and those who did and never thought.

-- John Charles Salak, author 


The only thing necessary for the triumph of evil is for good people to do nothing.

-- Edmund Burke, author and philosopher 


Be the change that you want to see in the world.

-- Mohandas Ghandi, political and spiritual leader in India